“Batik is a technique of manual wax-resist dyeing applied to whole cloth, or cloth made using this technique. Batik is made either by drawing dots and lines of the resist with a spouted tool called a canting, or by printing the resist with a copper stamp called a cap. The applied wax resists dyes and therefore allows the artisan to color selectively by soaking the cloth in one color, removing the wax with boiling water, and repeating if multiple colors are desired.
A tradition of making batik is found in various countries, including Nigeria, China, India, Malaysia, Philippines and Sri Lanka; the batik of Indonesia, however, is the most well-known. Indonesian batik made in the island of Java has a long history of acculturation, with diverse patterns influenced by a variety of cultures, and is the most developed in terms of pattern, technique, and the quality of workmanship. On October 2009, UNESCO designated Indonesian batik as a Masterpiece of Oral and Intangible Heritage of Humanity. ”
Batik art was rather unappealing to me for quite a long time. Preferring contemporary art work, I thought Batik art as somewhat outdated and unfashionable. Even old Chinese art fascinated me more than Batik. The closest encounter I had with Batik art, was during a trip to Genting in 2001. It was during a short trip shortly after my graduation when my friends and I were thinking of visiting the casino, but we were not in the right attire. Based on the management, we have to wear either collared formal or Batik wear. Being newly-minted engineering graduates then, our apparel style was just the basic streetwear of T-shirts and jeans. That killed off any idea of visiting the casino there even till now, as well as any positive feel in this art ironically.
After the visit to Kiah’s Gallery in 71 Unit B Sultan Gate, my encounter for Batik art took a new twist. The owners of the gallery, Yati and Ain, introduced a new batik world to my partner and I . What I thought as just some outdated craft in making clothes is actually a detailed art with centuries of history. It has influences from Chinese, Indian, Dutch and other cultures, which periodically have a major influence in the South-East Asia region over the past millennia. Every fabric has a story to tell and a culture to teach.
Using each batik fabric, one can tailor into fashionable apparel according to one’s needs. Kiah’s Gallery is retailer of Batik art as well as customizer of batik wear. Their passion to revive the dying batik art propelled them to share with the public, using dedicated craftwork and skillful hands into an fashionable wear one can put on their body.
Every batik fabric is an delicate piece of art. The fine prints as well as the details of every step can be observed on the fabric itself.
At Kiah’s Gallery, the owners have prepared many fashion wear based on the batik fabric. Styles similar to Chinese, Arabic, African and modern wear can be found in Kiah’s Gallery. Each batik fabric can be bought from $35 onwards, while each fashion artwear can be had from $100 onwards.
If you are interested to find out more, you can visit Kiah’s Gallery @ 71B Sultan Gate in Kampong Glam.
If there is one commodity you can find easily at Orchard Road these days, it’s the doldrums. Anywhere you look, someone is peddling a downbeat message.
The latest came from property consultancy Cushman and Wakefield, which reported that rents of prime retail space have fallen to a four-year low in Singapore’s premier shopping strip.
Then there are the lacklustre economy that is keeping spending in check, the rise of suburban malls and online shopping and fewer tourist arrivals.
Add in reports that long-time retailer Metro was disappointed with the level of sales rung up after moving to The Centrepoint, or that the newest mall, orchardgateway, lacks shoppers, and it’s hard not to get the impression of an Oscar-winning actress past her prime.
But take all these portents of doom with a pinch of salt. Orchard Road has been a shopping haven since the 1960s and it isn’t going to lose its crown without a fight.
ANYONE WHO IS SOMEONE IS HERE
Take a stroll along Orchard Road and the Singapore business scene unfolds in front of you. Old money, new kids on the block, Singapore corporates and foreign players are all present. Regional diplomacy is on show with the sprawling Thai Embassy offering a stretch of greenery and calm.
Take a short detour along Scotts Road, where the Sultan of Brunei lends a royal touch with his Grand Hyatt Singapore hotel. Shaw House and Shaw Centre, built by entertainment moguls the Shaw Brothers, represent the presence of old money.
Take a stroll along Orchard Road and the Singapore business scene unfolds in front of you. Old money, new kids on the block, Singapore corporates and foreign players are all present. Regional diplomacy is on show with the sprawling Thai Embassy offering a stretch of greenery and calm.
The portfolio of some of the biggest firms in Singapore is on show here, including City Developments. Far East Organization, whose founder Ng Teng Fong earned the moniker “King of Orchard Road” for developing eight malls in the stretch – it has recently added a ninth – still stands tall. It owns Orchard Central, large chunks of Orchard Towers and Far East Shopping Centre, among other jewels.
Tycoon Ong Beng Seng speaks for the rest of this stretch with HPL House, Forum The Shopping Mall, and the Hilton Singapore and Four Seasons hotels.
Ion Orchard, developed by CapitaLand in a joint venture, adds a wealth of glitzy charm with its unusual facade and duplex flagship stores of top designers.
Singapore Press Holdings’ Paragon and its expensive shops help give the shopping belt an air of exclusivity. Frasers Centrepoint owns The Centrepoint while OCBC Bank owns orchardgateway. Australia’s Lend Lease has made its foray into Orchard Road with 313@somerset.
But imposing Ngee Ann City, owned by the Ngee Ann Kongsi, with its Civic Plaza the centre of any action, continues to dominate Orchard Road.
International brands still continue to make Orchard Road their first port of call when they come to South-east Asia. Swedish fast-fashion retailer H&M and American casual wear brand Abercrombie & Fitch opened mega-stores in the vicinity to much fanfare in 2011.
American sports apparel brand Under Armour opened its first South-east Asia outlet at orchardgateway in May last year .
French-Italian apparel and lifestyle brand Moncler will launch its first South-east Asia stand-alone boutique, slated to be completed by the end of this year, in Ion Orchard.
ORCHARD ROAD TRANSFORMS
Shopping in Orchard Road remains an experience that can’t be found elsewhere. Dr Lee Nai Jia, DTZ research head, said the street has constantly been reinventing itself. He and various industry players cite events such as annual fashion extravaganza Fashion Steps Out and Pedestrian Night. Both are initiatives by the Orchard Road Business Association (Orba) and the Singapore Tourism Board.
Mr Mark Shaw, Shaw Organi- sation’s executive vice-president and Orba chairman, said: “It’s a day out. Even if you live next to Jurong Gateway, or Nex in Serangoon, the pedestrian street experience differentiates Orchard Road. You can walk the entire length and pop into any shop you choose. It’s not just a single mall in the suburbs.”
Malls owners are kept on their toes with the new competition.
“Six years after Mandarin Gallery was launched, we have to go about updating our tenancy mix to ensure that the mall remains relevant,” said Dr Stephen Riady, executive chairman of OUE, which holds Mandarin Orchard Singapore and Mandarin Gallery through OUE Hospitality Trust. Mandarin Gallery had a $200 million facelift and opened in January 2010 with high-end shopping in mind. Dr Riady said the mall has a part to play in upkeeping Orchard Road’s reputation of a “world-class shopping street”.
Certainly, the retail sector is risky to begin with, said Knight Frank Singapore executive chairman Tan Tiong Cheng. “Every five to seven years, you need to do some repositioning and strategic thinking.”
Shaw Centre and Shaw House completed their revamp in November, while Tangs started a $45 million revamp of its store in 2012.
REJUVENATION IS THE NAME OF THE GAME
Critics may say Orchard Road has stood still but the new malls near Somerset MRT station that replaced an open-air carpark and tired buildings prove them wrong. Lend Lease’s 313@somerset and Far East Organization’s Orchard Central opened their doors in 2009, while orchardgateway opened last year.
Now that the area around the Somerset station is up and running, the action is moving elsewhere.
The eight-storey Cairnhill Place carpark – part of the Cairnhill Place property – closed in 2012 for the site to be redeveloped by CapitaLand.
Nearby, the new 268 Orchard Road, formerly the Yen San Building, is being connected to The Heeren via basement and overhead walkways. These will put Orchard Road on a par with other inter-connected shopping havens like Hong Kong.
Further along the stretch, Hong Fok Corporation, which owns International Building, is redeveloping the adjoining carpark and the land parcel between the Thai Embassy and International Building, which it also owns. The carpark site – which drivers can see as they exit the Shaw Centre carpark – is being developed into a 30-storey, 610-room hotel to be operated by British brand Yotel.
A NEW CATALYST?
This stretch of the Orchard Road shopping belt, from Far East Shopping Centre to Tanglin Mall, has seen little change in the past decade or so, with the exception of luxury hotel St Regis Singapore, which opened in December 2007.
Mr Kwek Leng Beng, whose City Developments and Hong Leong Group own several properties here, called for a more cohesive approach for the entire belt, for the Orchard Road precinct to retain its lustre.
R’ST Research director Ong Kah Seng said new strata malls could bring in more innovation from small retailers, which can offer personalised services and products.
Orchard Road enjoyed a big lift when the Orchard and Somerset MRT stations were built and Mr Kwek is confident the same will happen when the upcoming Orchard Boulevard MRT station on the new Thomson Line, near Camden Medical Centre, is completed, probably by the end of 2021.
“The future redevelopment potential lies in the upper Orchard area,” Mr Kwek said.
Mr Shaw still believes in the Orchard Road experience. He said: “Between all the buildings, there are plenty of offerings… When I go out for lunch, I regularly walk from Shaw Centre to pretty much anywhere; it’s great. These are the strengths of Orchard Road.”
As the nation celebrates its jubilee year, Nabilah Said & Deborah Lee speak to 10 local personalities about places that remind them of the Singapore of the past
1 JANICE WONG, 32, pastry chef and owner of 2am: dessertbar
Favourite spot: Chinatown
I lived in an apartment just above the Hong Lim Market and Food Centre till I was three years old and my grandmother continued to live there till I was nine.
In fact, the staircase I would take up to my house was just next to the popular Heng Kee Curry Chicken Noodles.
There used to be street buskers who would play music while we ate.
These days, I come here once every two months and the owners of Heng Kee still remember me.
Sometimes, they automatically serve me a glass of my favourite sugarcane juice when I am here.
It’s like coming back to family.
These hawker stalls that have been here for years are the ones that should be celebrated.
The owners of Heng Kee are here from as early as 3am to prepare the curry noodles and the queues are always snaking long.
I may be in the pastry business, but I love the flavours of food like this.
I take my friends from overseas to Chinatown often.
Even though some parts have been modernised, I think there’s still a lot of heritage to be found here.
One thing is for sure – the crowd has not changed. There’s a certain generation of older Singaporeans who are still here.
2 CAROLYN KAN, 42, founder- designer of Singapore artisan jewellery label Carrie K.
Favourite spot: Lazarus Island
Lazarus Island, off the south-west coast of Singapore, is the only place here where I feel like I am on an adventure.
It is an uninhabited island to which one does not have direct access – you have to take a ferry to St John’s Island and cross a link bridge to Lazarus.
One memorable incident there was when I found a set of train tracks that led nowhere. I wish I could remember exactly when.
Nowadays, whenever I visit the island with my husband, we make it a point to look for them after taking a boat ride to the island and after a swim.
3 KENNY CHAN, 63, store and merchandising director of Books Kinokuniya
Favourite spot: Former MPH Building in Stamford Road, now known as Vanguard Building. The Urban Redevelopment Authority awarded it conservation status in 2003.
I love books. The MPH Building was one of my favourite places because it was right next to the old National Library. It was at the now-defunct MPH bookstore there that I was awarded the store’s book voucher, as a literature prize in school.
Inspired by the service there, I vowed to become the store manager and I eventually did it in the late 1980s.
4 BOO JUNFENG, 32, film-maker
Favourite spot: Tanjong Pagar Railway Station
When I was in primary school, my parents took me on a train ride to Johor Baru. I still remember being on the noisy train, chugging through lush greenery and old HDB estates.
Tanjong Pagar was relatively quiet when it was still functioning.
I guess that was because it was the terminus of the KTM line. We used to say that when you came to the station, you were kind of already in Malaysia. We don’t get to say that anymore.
In its later years, I often went there with my friends for supper. The mee rebus at the cafeteria was very good.
It isn’t easy gaining access to the station now that it’s closed, but I’m glad the authorities have decided to open it to the public on public holidays.
I shot a key scene in my short film, Parting, which is part of the anthology 7 Letters, there. The scene is set in the 1960s.
For a brief moment, I tried to bring the station back to life again.
I’m glad I got to put it on film.
5 SAMANTHA SCOTT-BLACKHALL, 36, theatre director and artistic director of Blank Space Theatre
In the 1990s, I had just entered the theatre scene and a lot of the new friends I made then happened to live in the Portsdown Road area.
It was not unusual for us to clear their living rooms to rehearse for shows.
Colbar, nestled among the foliage of Portsdown Road, was a cool place to hang out at after rehearsals.
It was a very peaceful place to be at. All our attention was on one another and our stories.
The cafe is located away from the main road so there are no cars whizzing by – it is just the gentle hum of fans and pockets of laughter competing with the army of crickets all hanging out at Portsdown.
Actually, I didn’t realise it till now, but Colbar moved from Jalan Hang Jebat to its present location in Whitchurch Road in 2004.
I had some trouble finding it as I didn’t know it had moved, but then I saw the recognisable blue exterior and I knew that was it.
It has retained a lot of the old architecture, such as the timbre panels and clay roof tiles.
The laid-back atmosphere is still the same – and the insects are still there.
6 SANTHA BHASKAR, 76, Indian dance pioneer and artistic director of Bhaskar’s Arts Academy
Favourite spot: Victoria Theatre
I associate Victoria Theatre with my performances and my life.
I have performed there many times. In 1955, that was where I had my first solo performance. I was 15 or 16 years old and had to perform in front of a big audience.
I was from India and had only performed in temples or small theatres before.
The theatre was huge, like a palace, and the statue of Sir Stamford Raffles by the river made it seem even more majestic.
I remember the curtains and the lights, and the general impression of floating through space.
I wasn’t nervous, but I was filled with positive energy.
The theatre has been renovated since and its interior has shrunk in size. But I feel the same emotions when I step inside it. The spirit of the place remains the same.
Home is home.
7 SANDRA RILEY TANG, 25, musician from pop-folk band The Sam Willows
Favourite spot: Old-school HDB playgrounds
There used to be a playground in the shape of a dragon near my school, Yuhua Primary School, in Jurong. I have fond memories of going there every day after school with my friends. We’d play catching and hide and seek, running up and down the spine of the dragon.
I would feel very excited, but also scared because I was supposed to be home. We’d spend one to two hours there before heading home.
It’s a bittersweet memory because I won’t be able to show my future kids that playground. Nonetheless, I still can’t resist a good playground. You can always find me on the swings. The higher the swing can go, the better.
8 JASON WONG, 51, board chairman of Focus On The Family and former Singapore Prisons Service deputy director and chief of staff
Favourite spot: Mount Faber
My father used to work for Keppel Shipyard, so my family lived in the shipyard’s staff quarters at the foot of Mount Faber until I was 12 years old.
I was still in lower primary school when a few families who were close friends started going on weekly pre-dawn walks. The walks usually took place on the weekends, when the fathers were not working.
We would set off after 5.30amto catch the sunrise on top of Mount Faber. I still remember the beautiful scenery at the peak.
On weekdays, the children would meet in the evening atop Mount Faber – where the cable car station is now located – or at a nearby park several flights of steps below Mount Faber’s peak, to play hide and seek, and catch butterflies. It was a playground in our backyard.
9 RANDY CHAN, 45, principal architect of architecture studio at Zarch Collaboratives
Favourite spot: Shophouse at 43 Blair Road
The shophouse belonged to my grandmother and was where the Chan clan gathered for monthly reunions or festive occasions.
The house looked huge when I was younger. I remember seeing huge spiders and cobwebs at every corner of the house.
Its architectural features, such as the fan-shaped windows, had an old-world charm. The aged Peranakan floor tiles, some cracked, were rich in texture.
When my grandmother’s funeral was held there, there was one memorable incident.
I was on night vigil with some of my relatives, but had fallen asleep near the coffin after offering incense. At around 2am, a loud knocking came from within the coffin. Everyone became scared and huddled together, except for me – sound asleep and oblivious.
The next morning, my uncles said that it was possibly my grandmother’s ghost.
Vigil-keepers for the remaining nights of the wake stayed awake.
We sold the shophouse after my grandmother died in the 1980s.
10 FANDI AHMAD, 53, former captain and current coach of Singapore’s national football team Lions XII
Favourite spot: Bussorah Street
This street is my favourite because I hang out with my friends there after Friday prayers at Sultan Mosque every week.
There are many interesting shops that sell things from books to trinkets to accessories.
I usually drive there. I get to chill with my friends, relax and take in the atmosphere. Sometimes, we even jam and play music there.
Majority of stakeholders in Boat Quay have given the green light to the plans to enhance the Outdoor Refreshment Areas (ORAs) along the promenade at Boat Quay. When completed next year, diners and visitors can look forward to an improved ambience and enhanced public realm.
Ground-up initiative to improve historic precinct
This project was initiated by Singapore River One (SRO) as part of their business plan to enhance the Singapore River precinct. SRO garnered support from stakeholders before putting forward a proposal to the Urban Redevelopment Authority (URA) to implement the project.
Mr Ng Lang, Chief Executive Officer, URA said, “The Singapore River is an important precinct that reflects our history. The Boat Quay area in particular, offers a unique riverside dining experience set amid our conserved shophouses. We are happy to partner Singapore River One to enhance the Boat Quay promenade and create open spaces along the promenade that will allow the public to enjoy views of the Singapore River. This project is a wonderful example of how the place managers of a precinct can take the lead to galvanise stakeholders’ support to improve their precinct. We hope more place managers will be inspired to do the same for their precincts.”
The URA appointed a consultant team last year to develop detailed proposals for the enhancement of the promenade and how the works could best be implemented. This included designing new ORA structures as well as creating three open spaces with new public seating and enhanced landscaping.
SRO, URA, and the consultant team engaged the stakeholders over a three month period from November 2014 to February 2015 to seek feedback and support from both the landlords and business operators on the proposed enhancements and construction timeline.
Mr Wilson Tan, Chairman of SRO said, “As part of our place management efforts for Singapore River, we want to improve the physical environment and capitalise on the strategic location of Boat Quay within the Central Business District. We believe the enhanced ORAs will offer a better visitor and dining experience. This initiative could only proceed with the input from the Boat Quay stakeholders and we are heartened that a majority of them have put their faith in us by expressing their support for this project.”
Improved public realm
Towards the end of 2016, the public can look forward to a refreshed riverfront promenade with new ORA structures. Three new open spaces will enable the public to enjoy views to and from the river and better appreciate the conservation shophouses along Boat Quay. The works will improve both the physical environment and fire safety as the existing overhanging wires across the promenade will be removed and located underground to serve the new ORA structures.
Artist’s impression of open spaces along the Boat Quay promenade
New ORAs designed in consultation with stakeholders
The new ORA structures are designed to take into consideration the stakeholders’ feedback and business needs. They will provide for a more open dining area during good weather for diners to appreciate views to the river and will include retractable canopies that can be lowered to provide protection from the rain. Slots have been designed for menu boards and signage, and beams provided from which to mount lights and fans. The timber-like floor decking was also specially chosen for easy maintenance.
Artist’s impression of new ORA structures with retractable canopies
Refer to Annex A for more information on the existing ORAs at Boat Quay.
The URA will be calling a tender in the second half of 2015 to appoint a contractor to undertake the works. The construction works is estimated to commence in phases from the first quarter of next year and will take around 10 months.
THE arts and culture are an integral part of Singapore which the country must continue to nurture because “Man does not live by bread alone”, said Prime Minister Lee Hsien Loong on Wednesday.
Arts institutions also play a key role in the cultural shift taking place in Singapore – to define success more broadly – while arming students with skills relevant to the workplace, he said.
“Creating jobs, upgrading workers, making Singapore a more attractive place to work – these are all important things in life. You have to put bread on the table,” he said at an event marking the 30th anniversary of Lasalle College of the Arts.
“But ‘Man does not live by bread alone’. We do wish for the finer things in life, to appreciate beauty and love, and something uplifting for the spirit.
“Our nation would not be complete without an appreciation of arts and culture, and without Singaporeans who create artistic and cultural works,” he told the audience of students and teachers.
In this, Lasalle has contributed significantly, Mr Lee noted as he looked back on its history and achievements that included producing six Cultural Medallion recipients and 23 Young Artist Awards winners.
The school began in 1984 in the belief that Singapore, despite being so focused on science and technology, needed art, Mr Lee said.
Now, its 30-year milestone comes on the cusp of Singapore’s 50th anniversary of independence next year, and amid a “cultural and mindset shift”.
Felicia Chin and Sora Ma are now officially cafe owners, in addition to their day jobs as MediaCorp artistes.
They have joined forces to set up The Mama Shop, a retro-themed space in the former Police Operational Headquarters at 195 Pearl’s Hill Terrace. The cafe serves up burgers, waffles and old-school drinks like iced kopi and sparkling limau.
The Mama Shop’s opening ceremony was held on Monday night, complete with a festive lion dance and celebrity guests including Pierre Png, Jesseca Liu, Dennis Chew, Michelle Chong, Pornsak, and Zheng Geping and family.
“It’s a small start but I think it’s a place for friends and to meet new people,” Chin said. “It’s called Mama Shop because there’s a personal touch to it — it’s not pretentious. I chanced upon this location and I thought it’s away from everybody else. It’s like a personal kind of private area for your friends and it’s quite quiet; it’s not amongst the crowds. Sometimes, good things have to be looked for.”
The business has been a personal effort for both Chin and Ma, both 30. “When it comes to acting, you only need to make sure your scenes are done well,” said Ma. “But when it comes to business, there are a lot of things you have to know. Felicia and I are in charge of marketing and PR but we have to know, for example, where the food comes from and how to pair it. Everything on the menu, we’ve experimented with more than ten times.”
The decision to carve out a space for a traditional neighbourhood fixture, the “mamak shop”, helped earn the owners of J8 Hotel an architectural heritage award.
The project was one of three from a pool of seven submissions that received the Urban Redevelopment Authority’s (URA) Architectural Heritage Awards this year at a ceremony yesterday.
Mr Joseph Lee, 50, the hotel’s managing director, set aside a recessed area for 59-year-old Mr K.M. Kuthubudeen’s sundry shop on the ground floor of a stretch of historic shophouses in Jalan Besar.
“We invited him back as we wanted to keep the traditional amenity around to preserve as much as we could of the area’s past,” said Mr Lee.
The 98-room hotel, which opened last December and cost $10 million to renovate and restore, picked up the URA’s Category B award.
The category recognises developments in historic residential districts and secondary settlement areas for successfully integrating the old with the new.
A URA spokesman said the sensitive restoration and renovation of the five transitional-style pre-war shophouses into a hotel help breathe new life into the surroundings.
The neighbourhood is home to businesses such as hardware shops.
The URA’s heritage awards are in their 20th year, and a total of 120 projects have received the awards since their launch in 1995. There is no prize money.
This year’s other winners include a terraced house at 145 Neil Road. The authority said its owner and architect paid special attention to retaining and restoring old features such as the red cement flooring along its five foot way and a fish-mould waterspout centrepiece made of plaster.
It noted that special effort had been made to uncover the original striking blue paint of the two-storey terrace’s facade.
Architect Mark Wee, 39, director of architecture firm Ong & Ong, said the team that worked on the $1.2 million project wanted to keep to the original colours and design of the building.
“We wanted the story of the place to continue and to restore its original narrative as far as possible,” he said.
The only winner in Category A, which is reserved for national monuments and fully conserved buildings in historic and good class bungalow areas, is the Yueh Hai Ching Temple at 30B Phillip Street. The URA described the national monument as the star of this year’s awards.
The temple, which traced its roots back to 1826, also picked up an award of merit at the 2014 Unesco Asia-Pacific Heritage Awards last month.
It had undergone a five-year, $7.5 million makeover and reopened in March this year.
URA director of conservation management Kelvin Ang said the judges were impressed by the thorough research a team from the Ngee Ann Kongsi, a Teochew social welfare organisation, had put in.
This included travelling to Guangzhou, China, in search of master craftsmen to restore the temple’s timber structures, carvings, frescoes, gold gilding and ceramic decorative features.
The temple has the highest density of craft and ornamentation works of any temple in Singapore. Adorning its roof and walls, they depict Chinese classic stories and folklore.
Said URA’s Mr Ang: “Our generation is lucky to be able to see the beauty of this temple for the first time in decades after it had been in disrepair for years.”
Minister of State for National Development Desmond Lee, who presented the awards, said conserving and restoring buildings is only the first step.
It is how they are brought to life that determines whether they will continue to be relevant and important, he noted.
A $7.5 million, five-year makeover of the Yueh Hai Ching temple – which included two years on research alone – has earned the team behind it a 2014 Unesco Asia-Pacific Heritage Award.
The Phillip Street temple, which can trace its roots back to 1826, picked up an award of merit alongside four other historic sites in the region, such as India’s Shri Sakhargad Niwasini Devi Temple Complex.
The awards programme recognises the efforts of private individuals and organisations that have successfully restored and conserved structures and buildings of heritage value in the region.
The panel met in June to review 46 entries.
Chairman of the Yueh Hai Ching temple’s restoration sub-committee, Mr Jamie Teo, said that the award will please worshippers while helping to attract even more tourists to the historic temple.
Bankrolled by the temple’s custodian, Ngee Ann Kongsi, a Teochew social welfare organisation, the project sought to restore the dilapidated temple to its original form.
Unesco noted that the temple, which has the highest density of craft and ornamentation works of any temple in Singapore, had been “methodically and meticulously conserved”.
Architectural conservator Yeo Kang Shua, who led the project, said the award is an “affirmation of the effort we put into the restoration of the temple”.
There are fewer than 10 buildings here that can boast of such a title.
The assistant professor at the Singapore University of Technology and Design said: “The standards of conservation have become higher over the years and it’s increasingly difficult to win an award from Unesco. So this recognition is testament that our approach is correct.”